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The wrinkles, creases and folds create spatial microstructures, and joining the separate parts required static considerations. These pieces are new examples of Schulzs interdisciplinary art bordering on the genres of architecture-sculpture-painting. Physicality has hitherto served a special role in the moment of reception and physical encounter with the artworks, but this time it is expressed in the immediate and improvisational use of materials throughout the creative process.

This historical dimension may be underscored by the archaic texture that resembles marble.